Momentarily Intimidated

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 I’m writing this blog post because it’s easier than working on my memoir right now. The essay I’m currently working for my memoir just told me that it needs to say so much more that it does and it suggested several pathways to get there. It seems to know what it is talking about, but I feel like I just got the wind knocked out of me. All I seem to be able to do is stare at my computer and wonder at the enormity and complexity of the topic. I can’t possibly fit all the new insight into the current essay. But then, if all I’ve written so far needs to be so much more, how can I send the current piece to my writing group in a couple of days? This keeps happening to me. “It”–whatever project I’m working on–just keeps getting bigger. Does this cheer anyone? It discourages me. I pace around the house heaving big sighs and wondering when I’ll have the courage to try to write again, to tackle this new behemoth of an essay with my puny words.

 

Compare this with the elation I felt last week after purchasing, The Art of Styling Sentences, and began working on sentence patterns exercises. I’d never felt so excited about sentences before! Right after doing the exercises, I tried the sentence patterns out in my journal and as I scribbled out my experiences within the framework of new sentence patterns, the words just seemed to pour out of me. It was fun! It was glorious!  

 

So my insight is simple, but here it is: when I think about small things when I write (like sentences), I feel empowered, which keeps me writing and excited about writing. When I think about big things when I write, (like the complexity of what I want to communicate), I feel intimidated, which stops me from writing and keeps my mind frozen.

 

So, accordingly, my new policy is to not think about “big things” when I sit down to write. I refuse to be overwhelmed by a moment of insight, however much it makes me stagger. I will remember that big things are made of smaller things. 

 

Now excuse me, please, as I go write those little sentences.

 

The Optimal Writing Experience

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Say you have a writing goal. Say that instead of writing each day as per your goal, you decide to do the laundry, read a book, photograph birds that flit past your window. Keep this up and you won’t meet your writing goal. While it’s true that each of these activities could contribute meaningfully to your writing practice, they count as resistance if you are doing them instead of writing.

Most things worth doing, indeed most things that human beings find ultimately satisfying, require effort and therefore also require discipline. You might be tempted to do many other things. You may simply “not feel like” writing, but insisting on resisting takes you farther and farther away from where you want to be. If you get past the initial resistance you may find yourself actually enjoying the process.

If you are not enjoying writing, it may be because some part of you is still resisting. You might have self-doubt. Is your mind chastising you for not writing better at the very same time you are typing? This kind of thinking can stop you before you start. What is important is to fully focus on your writing. If you are distracted by your thoughts or surroundings, it will lessen both the satisfaction and the effectiveness of your writing. While the critical part of the brain is essential for perfecting one’s writing, that criticism should be used in an appropriate manner and place. It should not be directed toward yourself, but toward your work. It also would be better suited to the process of revision rather than during the first draft. 

Although some people find revising less enjoyable than the free-flowing first draft, one can be fully engaged in the act of revising as well. If you focus on what you are doing rather than how you feel about your first draft, then you can know the pleasure of revising in the form of solving a series of interesting and complicated puzzles one after the next.

There are times when I begin writing and find myself yawning or feeling an overwhelming urge to go for a walk. These things can be important to attend to. We may have real physical needs for rest, food, or exercise. But they might also be symptoms of subtle form of resistance. Bargain with yourself if you need to. Try setting a timer. Continue writing and when the timer goes off, reward yourself by taking that brief nap or walk. More importantly, take care of yourself, so that you begin your writing in a good physical and mental condition.

We have to think of our future selves not only when we make goals, but when we make our daily decisions to honor those goals. Instead of writing for two hours, you could easily watch two of TV or spend two hours on the internet, but would you be satisfied with that use of time? Will it get you closer to your goal? Investing in our goals, even if difficult, is better than remaining merely comfortable and not gaining wisdom or experience.  

I’ve been reading a book recently about creativity and flow by Mihaly Csikszentmihalyi, and thought I should write about “flow” and the writing process. It may seem like I’m insisting too much on enjoying writing, but there is definitely a balance, even a correlation, between enjoyment and discipline. These words from Mihaly:

“What is enjoyment? In order to answer that question, many years ago I started to study people who seemed to be doing things that they enjoyed but were not rewarded for with money or fame. Chess players, rock climbers, dancers, and composers devoted many hours a week to their avocations. Why were they doing it? It was clear from talking to them that what kept them motivated was the quality of experience e they felt when they were involved with the activity. This feeling didn’t come when they were relaxing, when they were taking drugs or alcohol, or when they were consuming the expensive privileges of wealth. Rather, it often involved painful, risky, difficult activities that stretched the person’s capacity and involved an element of novelty and discovery.”

The following list is taken from Mihaly Csikszentmihalyi’s book , Creativity, and includes nine elements people use to describe their most enjoyable experiences. I take it as sort of a guideline. If I am not experiencing “flow” when I write, why?

1. There are clear goals every step of the way. (Do I know what I’m trying to accomplish with the piece? With each part of the piece?)

2. There is immediate feedback to one’s actions (Immediate feedback can be hard to achieve in writing, as it is only the writer’s judgment that is immediately available.  As one begins to internalize what makes writing good, it is possible to get an idea of what one is doing right, but too critical a mind may also keep one from “writing bad” which is a necessary precedent to “writing good.”)

3. There is a balance between challenges and skills (Am I attempting a piece that is too complicated for me? Can I break it down into simpler parts?)

4. Action and awareness are merged (Am I fully engaged in my project, or is my mind somewhere else?)

5. Distractions are excluded from consciousness (Am I checking email? Surfing the net? Thinking about other things? Find a time and space to write and learn to focus on writing when you are writing).

6. There is no worry of failure (Am I worried about how the piece will turn out or how it will be received?)

7. Self-consciousness disappears (Am I self-conscious about what I’m writing?)

8. The sense of time becomes distorted (Do you feel like the time flies? I admit, I like to use a timer when I write which means that I’m usually fairly conscious of time. Currently it helps me not to be intimidated by sitting down to write if I know I only have to write as long as the timer is going.  I am more likely to resist a nebulous amount of time).

9. The activity becomes autotelic. (Am I enjoying what I’m doing now, or am I thinking of the praise and admiration I hope to gain by writing this piece?)

I’m starting to think of writing as a sort of focused meditation. You may not always “feel like” writing, but resistance is futile, and can keep you from your goal and from the greater enjoyment that comes with writing fully engaged. Overcome resistance and you are on your way to becoming a more disciplined and accomplished writer as well as a happier person. “Discipline,” (I quote Barry Lopez) “is the highest form of self-respect.”

Because I’m a Writer

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I’m a writer. When I tell myself this, my experience of the world shifts. A gong sounds. I enter a new plane of being.  I stand up straighter and with all my senses pay attention to what stirs and sulks around me. I run toward experience as it runs toward me.

Inspiration abounds. The odd comment of a friend, the sound my heater makes, the culture of the gym I go to, the way my hands feel in dishwater, even the nuances of my own boredom—all are food, all worthy of writing.

Running questions keep me absorbed.  Which details best capture the essence of this place? Why does that smell exude sadness? What is the subtext behind the conversation I’m having? How can I capture this experience in words?

There is nothing so satisfying as a curious mind.

Be a writer. Experience transformation.

Being Non-human

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The other morning as I walked to my volunteer shift, I began to grow irritated with my inner chatter and planning. In search of relief, I began to focus my attention outwardly, scanning the environment for something ”other” to focus my attention on. I looked up and saw pigeons lined up along the horizontal arm of a street lamp. Their heads were tucked; they ruffled their feathers.  I rejoiced in these small gray lumps of life. I loved their tiny movements, their non-humanness.

I’ve been reading books with animals in them lately. In The Art of Racing in the Rain, the narrator is a dog. In The Life of Pi, a tiger, Richard Parker, is a significant non-human character, the sole companion of the narrator, Pi. on a lifeboat. Pi credits Richard Parker with saving his life. That is, when Pi focuses on keeping Richard Parker alive, it keeps him from falling into a sense of hopelessness.  

I remember now, that books narrated from the perspective of animals used to be some of my favorite when I was younger. Not the animals that dressed up in human clothes and said human things, so much as the stories that tried to really enter the life of the animal. I also liked books like Julie of the Wolves where human and wolf communicated.

I miss books like that. And I miss those pigeons.

I Must Be That Person

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I was just reading through a handful of writing contests this morning and thinking about bending my writing in the general direction of the specifications required for participation in some of the contests.

I realized I feel inadequate to write about a lot of topics. Nearly every topic I can think of could be better written by someone with more expertise or closer connections. 

For example:

What if I want to write about elephants? I’ve lived in Thailand. I’ve seen elephants. Does this mean that I can write authoritatively on the plight of elephants in southeast Asia? I feel like I should be a mahout, or that I should have created a special elephant nature park in Northern Thailand. http://www.elephantnaturepark.org

What if I want to write about ancient mythology and their contemporary interpretations in literature? Must I have a Ph.D for people to take me seriously? Maybe I should just be Joseph Campbell.

If I decide to write about bicycling, I should work in a bike shop, or be a professional cyclist, or at least have a regular bicycle commute. None of these apply to me. What I have is that I enjoy riding my bike, that I use it for transportation around town most of the time, and that I occasionally volunteer at an organization that fixes up donated bicycles and makes them available at low-cost. https://sites.google.com/site/bikes4humanity/

With so many topics to choose from, yet so much experience needed, I feel like I’m a six-year-old again and an adult is asking me, “What do you want to be when you grow up?” I was more sure of myself back then. A dancer, an outdoor survivalist, a wildlife photographer.  It didn’t matter that I didn’t have experience. It was passion that counted. 

As a writer, I could be anybody. All of the topics I mentioned are a small part of who I am. I could write about them in a limited fashion now, or I could more fully engage myself by doing research or pursuing experience.

Nobody should avoid writing because they lack expertise, but learning more about topics we choose to write on should go without saying. Writing, as an extension of our passions, leads us to new adventure. It can work either way of course. Adventure can lead to writing just as writing can lead to adventure.

Just keep in mind that when you sit down to write, you might inadvertently be deciding what to do next with your life.

Writing Ideas

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Every time I add a new post on wordpress, a page pops up with at least three suggestions of what to write for my next blog. These suggestions are helpful to some I suppose, but I find them insulting. Do “they” really believe I cannot think of what to say on my own? Writers, how do you feel? Have we nothing unprompted to say?

I admit. Since I am posting so often this month, I have run into days where I feel as if I nothing whatsoever to say, but feelings lie. When I get that feeling, I sit down and start writing in my journal. If I must write, I will write, and if I do write, I start to see that I’m actually thinking about something, maybe something brilliant, maybe just something mildly interesting. A snack for thought, if not quite a meal.

So, when you lack ideas for writing. Go inside your own brain. Do not rely on others and their thousand prompts. What would you write about if you had no suggestions?

Now that I think of it though, I’ve got a great use for those prompts. I tend to clam up at parties, but next time when I’m getting ready, I’ll post a quick blog and jot down some of those suggestions to use as conversation starters. I’m sure I’ll be a hit.

Sustained Silent Reading

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I used to read the Ramona books by Beverly Cleary. In one of these books, Ramona’s teacher introduces her to “Sustained Silent Reading.” The word sounds big and important to Ramona. Later Ramona tells Willa Jean, the annoying little sister of her friend Howie, that she cannot play with her. That Ramona must instead do her “Sustained Silent Reading.”

Lately I’ve been feeling the need for some “Sustained Silent Reading” of my own. It’s not like I don’t read, it’s just that I read in a fragmented way. I read bits and pieces of things between other tasks. I read shorter things and I tend to skim more than I used to as if it were imperative for me to glean all the information I can in the shortest amount of time. I also read half-way through books and don’t finish them. It’s time to stop the madness.

I will work on implementing Sustained Silent Reading into my life–at least one whole hour of it each day. No jumping up to do something else that I just remembered. No skimming. I’ll be slowing down, reading, absorbing–even scribbling notes along the way if I feel like it. 

Goodbye Willa Jean distractions. I have more important things to do.

Zen Story

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In lieu of writing an original post, I bring to you a Zen story taken from Zen Flesh, Zen Bones.

Ikkyu, the Zen master, was very clever even as a boy. His teacher had a precious teacup, a rare antique. Ikkyu happened to break this cup and was greatly perplexed. Hearing the footsteps of his teacher, he held the pieces of the cup behind him. When the master appeared, Ikkyu asked: “Why do people have to die.”

“This is natural,” explained the older man. “Everything has to die and has just so long to live.”

Ikkyu, producing the shattered cup, added: “It was time for your cup to die.”

Maybe She’s Born That Way

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Learning anything is the act of making the unnatural, natural. I’m learning to write. Yesterday I reviewed something that I wrote several weeks ago. It sounded ingenuine, like I was trying too hard to make a story out of disparate pieces.

Anything we say or write can lack “genuineness”–especially when we are learning to speak or write in ways that are not yet part of us, or contexts that are unfamiliar.  

That’s why we practice. It has not always been “natural” for me to write in scenes, but I’ve learned that a scene draws a reader in and I’ve learned techniques for writing good scenes. My first attempts might not sound “genuine” to me but the effort put into them cannot be dismissed as useless.

Writing blog posts is another “unnatural” activity. When I first started, I was very self-conscious about my image. I decided to write once a week so as not to be overwhelmed. With so much time to think and write, I was agonizingly meticulous about detail, and while attention to detail is not always bad, this schedule slowed me down too much, kept me self-conscious and slow. This month I’ve decided to write once a day. I don’t have time to be so careful about choosing a topic, or so nitpicky over word choice. I check the grammar and the spelling and make sure that what I’m saying makes sense, but I’m not trying so hard now, and I think it’s a good thing. I will get more practice.

Preparing for NaNoWriMo

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Several people have told me that they’ve had tremendous amounts of fun participating in National Novel Writing Month. Next month thousands of people will attempt to start and complete a 50,000 word “novel.”

I’ve decided to participate this year, though I’m not sure what it will do to the rest of my writing life. It seems unlikely that I will be able to maintain my blog or work on my memoir. We’ll see.

One thing that I hope for is to find freedom and fun in writing. I think I’ve become a little too serious working on my nonfiction and a little too slow in my process.

I haven’t much of a plan. Only that I will allow myself to work on my “novel” no more than three hours a day and that within these three hours, I must write three-thousand words. I’m considering using random prompts to structure my “novel.”

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